Yavelow - Music for Media
Yavelow - Music for Media
Categories
MUSIC FOR INTERACTIVE MEDIA, CD-ROM, & KIOSKS
VPRO Digitale Gids - CD-ROM (1994)
- Occasional Background Music: Publiek Service area of CD-ROM
- Format: 8-bit Digital Audio
- Publisher: VPRO Television.
Music & Sound Bible Demo - CD-ROM (1994)
- Background Music: Constant throughout demo
- Format: 8-bit digital audio
- Location: Macworld Lezer Disc "YAV" folder
- Publisher: IDG Nieuw Media
Music & Sound Bible PowerTools Software Supplement (1994)
- Clip Media: 350 MB of sound and MIDI for multimedia
- Format: 8-bit digital audio (various formats), Standard MIDI files
- Location: Optional Software Supplement to Macworld Music & Sound Bible
Macintosh Virtual Playhouse - CD-ROM (1994)
- Clip Media: Clip digital audio files
- Format: 8-bit digital audio
- Publisher: Hayden
Multimedia Power Tools - CD-ROM (1993)
- Theme Music: For CD-ROM launch animation
- Additional Music: 40 MB Composition tutorial (QuickTime, Director, etc.)
- Format: 8-bit digital audio
- Publisher: Random House
- Sound Clips
- Multimedia Power Tools Theme (464k au 8kHz) generated using Dr. T's Msoftware
Apple Computer Information Kiosk (1993)
- Music: "Attractor" Music, background music, etc.
- Format: 8-bit digital audio
- Location: Show Biz Expo (Los Angeles, CA)
- Producer: Art Guerrero Multimedia Lab
Johnson & Johnson Information Kiosk (1992)
- Music: "Attractor" Music, background music, etc.
- Format: 8-bit digital audio
- Location: Johnson & Johnson Convention (Dallas, TX)
- Producer: Art Guerrero Multimedia Lab
Verbum Interactive - CD-ROM (1991)
- Music: Entire "score" (file-loading music)
- Format: 8-bit digital audio and 1 Red-Book track
- Publisher: Verbum
- Sound Clips
- An instrumental arrangement of one of the trios (760k au 8kHz) from my opera "The Rogue"
Finale Guided Tour - Floppy disks (3) (1990)
- All Music & Sound Effects: First use of platform-independent music synced to Director animation
- Format: 8-bit digital audio
- Publisher: Coda Music Technology
MULTIMEDIA PERFORMANCE WORKS (w/o computer)
Sermon (1973)
- Musical Ritual for trombone, clarinet, brass choir, and strings, all in costumes,
- with sets, and accompanied by slides. Duration 16 minutes.
- Awards: 1974 - Composers Forum.
- Premiere: Donnell Library, NY, NY: Early Anderson & the New York Brass Quintet--February 9, 1974.
- Publisher: American Composers Edition (ACE) NY, NY.
Intercosmos (1972)
- Multimedia Work for octet and 16mm animated film. Duration 14 minutes.
- Premiere: Boston University -- April 23, 1972.
- Publisher: American Composers Edition (ACE) NY, NY.
Green (1971)
- Musical Ritual for flute, clarinet, bassoon, trombone, violin, viola, and contrabass,
- with movement, costumes, and 35mm film strip. Duration 25 minutes.
- Premiere: Boston University -- April 26, 1971.
- Publisher: American Composers Edition (ACE) NY, NY.
MULTIMEDIA PERFORMANCE WORKS (with computer)
MacFest 2.0 (1992)
- Music: Music for Festival Opening real-time interactive animation
- Format: 8-bit digital audio
- Location: MacFest 2.0 (Los Angeles, CA)
- Producer: Art Guerrero Multimedia Lab
- Sound Clips
- Last verse of five (450k au 8kHz) including transformations of my daugter Celina's voice.
Something Like... Well, I Can't Remember the Name of It (1990)
- Interactive and Voice-activated computer-generated animations and music for Macintosh computer (running Ovaltunes software) and a variety of synthesizers and samplers. Duration varies: approximately 20 minutes.
- Animations: Brentano
- Premiere: Verbum Digital Art Be-In at Zephyr Studios, San Francisco , California -- April 12, 1990. Represented the unveiling of a new form of collaborative interactive multimedia performance art originated by Christopher Yavelow and Brentano called VADA (Voice Activated Digital Art).
Nippon Gakki Variations (1987)
- Music generatred by Animation: 18 Mac-controlled DX-7s accompanying live performance
- Format: MIDI
- Commissioned: The Addison Group (UK)
- Premiere: Yamaha Annual Corporate Meeting (Japan)
Mousse du Jour (1987)
- Interactive computer-generated graphics and music for Macintosh computer (running Ovaltunes software) and a Kurzweil 250 Digital Sampler. Duration 8 minutes.
- Premiere: Technologics Conference, Santa Clara, California -- December 5, 1987
Mousing Around (1987)
- Interactive composition for a Macintosh computer (running Music Mouse software) and a Kurzweil 250 Digital Sampler. Duration 6 minutes.
- Premiere: Technologics Conference, Santa Clara, California -- December 5, 1987
Cloning Around (1987)
- Interactive probabilistic variations on original material using a Macintosh computer (running Jam Factory software) and a Kurzweil 250 Digital Sampler. Duration 7 minutes.
- Premiere: First Annual Computers in Music and Education Conference, Salt Lake City, Utah -- September 12, 1987.
S7 Variations (1987)
- Interactive probabilistic variations on Stravinsky's "Septet" using a Macintosh computer (running Jam Factory software) and a Kurzweil 250 Digital Sampler. Duration 8 minutes.
- Premiere: International Computer Music Conference at the Royal Conservatory, The Hague, Netherlands -- October 20, 1986.
BAB Variations (1986)
- Interactive probabilistic variations on Bartok's "Allegro Barbaro" using a Macintosh computer (running Jam Factory software) and a Kurzweil 250 Digital Sampler. Duration 10 minutes.
- Premiere: Boston Computer Museum "Surrealists Ball" -- September 27, 1986.
Rogue_Source (1986)
- Interactive performance for Macintosh computer (running M software) and Kurzweil 250 Digital Sampler based upon source material from Yavelow's opera, "The Rogue." Duration 12 minutes.
- Premiere: Boston Computer Museum "Surrealists Ball" -- September 27, 1986.
The "Record that Never Repeats Itself" (1986)
- Little human intervention: Algorithmically generated works using a Macintosh computer (running Cybernetic Composer software) and a Kurzweil 250 Digital Sampler. Duration 5 minutes per work.
- Premiere: Boston Computer Museum "Surrealists Ball" -- September 27, 1986.
Logo-rythyms (1986)
- Interactive performance for Macintosh computer (running MusicWorks MIDI software) manipulated graphics and Kurzweil 250 Digital Sampler. Duration 16 minutes.
- Premiere: Boston Computer Museum "Surrealists Ball" -- September 27, 1986.
Imaginary Conversations... Overheard at a Concert of Computer Music (1986)
- Computer Assisted Interactive Multimedia composition: Macintosh computer, Kurzweil 250 Digital Sampler, Computer animation, and 400 Dicomed computer -generated slides sequenced on 6 programmable slide projectors using a Clearlight Synchronizer. Duration 12 minutes.
- Awards: 1986 - Meet the Composer
- Slides: Brentano
- Premiere: New England Computer Arts Association "Performance in Real Time" -- April 26, 1986.
MUSIC FOR FILM, VIDEO & AV
VADA (Video Documentary) (1990)
- Soundtrack: 14 minutes
- Format: 44 kHz digital audio
- Animation: Brentano
Shocker (Film) (1989)
- Additional Music: 9 minutes
- Format: 44 kHz digital audio
- Primary Composer: Bill Goldstein
- Director: Wes Craven
- Publisher: Alive Films (CD: Varese Sareband)
John Andrew Parks III (Audio CD) (1989)
- Orchestration: (MIDI and synthesizer performance)
- Format: 44 kHz digital audio
- Producer: John Boylan
- Publisher: Capital Records
Kansas - In the Spirit of Things (Audio CD) (1988)
- Orchestration: (from MIDI sequences)
- Format: 44 kHz digital audio
- Producer: Bob Ezrin
- Publisher: MCA Records
Reliability & Risk - Computers in the Nuclear Age (AV and Video) (1987)
- Soundtrack: (MIDI generated)
- Format: 44 kHz digital audio
- Commissioned: CPSR - Computer Professionals for Social Responsibility
- Awards: Gold Medal - National Association for Multi-Image
- Producer: Interlock Media
- Publisher: CPSR - Computer Professionals for Social Responsibility
New England Time Capsule (Omnimax Film) (1987)
- Sweetening: With synthesizers and samplers
- Format: 44 kHz digital audio
- Primary Composer: John Williams (orchestrated by Pat Hollenbeck)
- Premiere: Grand Opening of Boston Omnimax Theatre
Mayor Flynn Public Health Campaign (TV-Video-Promotion) (1987)
- Soundtrack: (from MIDI sequences)
- Format: 44 kHz digital audio
- Producer: New England Telephone
- Usage: Massachusetts state-wide television campaign throughout 1987
Chesapeake Verse (TV-Video-Documentary) (1972)
- Soundtrack: for Video documentary
- Instrumentation: Mixed sextet
- Director: Steve Yeager
- Premiere: National Public Television (Baltimore, MD)
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Graphics, text, sounds, etc. Copyright © Christopher Yavelow 1994 and 2012